


In Polygonia’s sculpt Izumi strikes a pose that allows the hapless heroine a precious moment to make a dignified display of the costume’s finer points. Standing tall, she extends the elegant legs in the silken shadows of black stockings. The curves of her body are whipped into creamy frills that deliciously dress the sumptuous servant. The tips of her gloved fingers play at the edge of an unsnapped garter. The flight of the airborne strap invokes a sense of unbalance, a reminder that wherever Izumi’s beauty shines, havoc is seldom far behind. The captured stillness of her form is a contrasting oasis of tranquillity reflected in the aquamarine hue of her eyes.

The only criticism to make of the this heavenly maid is that her skin tone is quite alarmingly pink. This something that becomes all the more apparent when she is aligned with other members of her pvc kin, causing a slight disruption in the harmony of one’s harem. But it is a minor, trifling matter and as a piece alone she is a proud monument to the insurmountablity of maid moe.
