The fusion of Wild West and post apocalyptic bishojo badass, is Jo from Gonzo’s Bakuretsu Tenshi. Alter’s pose is Dynamic and sassy, a divine composition of intersections that accentuate the carved lines of her taught musculature against the straps and chaps of her combat garb. The blue inking of tattoo that casts icy shards onto the warmth of her tan as her extended firearms form a shield across her robust form. The coat that flaps wildly about her shoulders is fully removable but it gives the whole pose a kind of Clint Eastwood cool that recalls the iconic dynamism of a spaghetti western.The gunslinger is masterfully immortalised in this flawless sculpt, which is the perfect realisation of the Ugetsu Hakua design. A bullet proof pose and cast that appeases both my penchant for chaps and valiant heroines in one fell swoop.
A milestone in the fledgling years of my figure mania, in the opening chapters of the quest for divine curvature, the temptation of eggshell fragility, the original crème de la crème of Kazami Mizuho is Max Factory’s completed resin production from way back in November 2003.
I’ve not seen a resin piece so wondrous since, it has placed the standard high and upon such a lofty pedestal that I can scarcely contemplate the possibility of dethroning my Queen of figures. Nay, she is in a class of her own from the tips of her toes, to that exquisite peak of her pink antenna Sensei is simply SU-TE-KI♥. Oshiete kudasai Sensei! \(*Д*)/

The sculpt is dynamic at every turn, a unique pose that glows with movement and energy, expressed in the rippling lines of her dress and by the muscles of her taught thighs. The prongs of hair, the katana blade and the arched winglets on the back of her dress carve Ignis like a sharpened rune. Her elegance is re-envisioned with beautiful defiance signalling the power of the inferno within.
Alter excel once more with this incredible piece, proving that with Ignis, it is impossible to have too much of a good thing.




